![]() ![]() We license the non-dramatic use of up to 25 minutes duration of material from any one show in the same programme as long as the use does not constitute a condensed version, nor covers an entire act, of the parent show. Please note that grand rights do not apply to public screenings of dramatico-musical works and ballet, whether simulcasts or 'encores'. We control the public performance given at the point of reception of simulcasts (where a live event is broadcast live to other venues) and 'encores' (the screening of recordings of live events). ![]() Incidental music is automatically covered by venues' TheMusicLicence, as is music used pre-show, during any interval and post-show. Music which is not audible to a character in a drama, such as music used for transitions and scene-changes, etc. To apply for this use of music, please fill out our webform request and attach the dramatic rights application form. A specific licence application must be made in advance of performances, even if TheMusicLicence is already held by the venue. Music that is either performed by, or audible to, a character in a drama is the kind of music which is not authorised by PRS licences held by venues. it is either performed by or intended to be perceived by the audience as audible to a character in the drama the music is a part of the drama. Interpolated music is music which exists within the dramatic world of the presentation, i.e. We control small rights where we recognise two categories of use: interpolated music and incidental music Interpolated music This refers to music not specially written for a dramatic presentation. Unlike dramatico-musical works, music used in ballet music is considered to be a grand right use, whether or not the music was written specially for use in ballet. a straight play) are not controlled by PRS for Music when performed in conjunction with the work for which they were written.īallet is defined as a choreographic work having a story, plot or abstract idea devised or used for the purpose of interpretation by dancing and/or miming. Individual works specially written for plays and other dramatic presentations that are not themselves dramatico-musical works (i.e. Narrative concept albums such as The Who's Tommy or Pink Floyd's The Wall are viewed in the same way. Licensing is undertaken by the appropriate rights holder.Ĭinematic musicals such as Mary Poppins are classed as dramatico-musical works when adapted for the stage. A dramatico-musical work is an opera, operetta, musical play or show, revue or pantomime for which the music has been specially written. This term refers to 'dramatico-musical' works and ballet where we don't control the live public performance right. A dramatic presentation is a production on the live stage that has a story and character. We don't license grand rights but we do license small rights. ![]() Popular applications for movie licensing include recreation centers, churches, parks, libraries, colleges and universities, elementary schools, bus companies, camps, hospitals, resorts, and prisons.There are two forms of right associated with dramatic presentations: grand rights and small rights. ![]() So private events with small groups of people on private property will likely not require the license, but public events of any sort will. This legal requirement applies regardless of whether an admission fee is charged, whether the institution or organization is commercial or nonprofit, or whether a federal or state agency is involved.” However, bars, restaurants, private clubs, prisons, lodges, factories, summer camps, public libraries, daycare facilities, parks and recreation departments, churches, and non-classroom use at schools and universities are all examples of situations where a public performance license must be obtained. No additional license is required to privately view a movie or other copyrighted work with a few friends and family or in certain narrowly defined face-to-face teaching activities. Neither the rental nor the purchase of a copy of a copyrighted work carries with it the right to publicly exhibit the work. “The Federal Copyright Act (Title 17 of the US Code) governs how copyrighted materials, such as movies, may be used. If you are still wondering whether your event will require a public performance license, the Motion Picture Association of America states: You need a movie license regardless of the size of your event, whether or not you charge for your event, or whether you are a commercial or nonprofit entity. Plain and simple, if you plan on displaying your movie in a public setting or to the public, then you need a public performance movie license. Do I need to purchase a public performance movie license? ![]()
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